I just saw a pretty good film, it was “Sunset Boulevard, the Musical.” It starred Rita Hayworth, Frank Sinatra and Kim Novak, and had a great score by Rogers and Hart.
Yes, it was actually “Pal Joey,” but the plot is basically “Sunset Boulevard,” with the exception that Sinatra doesn’t end the film face-down in Rita Hayworth’s swimming pool.
The film is Hollywood’s 1957 adaptation of Rogers and Hart’s acidic Broadway musical from 1940. The story is about the brief rise and fall of a megalomaniac named Joey Evans who has two talents: dancing and using people. The role was originated, very appropriately, by a charming megalomaniac named Gene Kelly, and it brought him his first stardom. For this movie adaptation the character was changed into a singer, and was fortunately given to Frank Sinatra. In the story Joey uses — and is used by — a rich widow named Vera Prentice-Simpson played by Rita Hayworth. The more positive influence on Joey’s life is Linda English, played by Kim Novack.
The show was adapted for the film by prolific Hollywood writer Dorothy Kingsley. Although Kingsley streamlined the story, smoothed-over its rougher edges and added a somewhat happy ending, she did manage to keep the important plot points. The dog (Scruffy or Snuffy, I can’t remember) is an interesting addition on Kingsley’s part.
I think the dog serves as a representation of Joey’s emerging conscience. Scruffy — or Snuffy — is forced upon Joey one night by Linda, when he had instead been expecting a hot date. That evening we hear Joey delivering his first honest lines while he’s talking to dog. Later, when Joey moves onto Rita Hayworth’s yacht, he gives the dog back to Linda. When Linda shows up at the yacht drunk, the dog is there to stop Joey from assaulting her when she’s passed-out on his bed. At the end of the film, we don’t know what future Joey and Linda will have, but he picks the dog up again before they walk off together.
I’m generally not a big fan of Sinatra, but he is excellent as a self-centered, sarcastic nightclub entertainer who has been cursed with the ability to charm. Joey Evans knows just how far he can push people to get what he wants, but he always ends up being too greedy. The first half of the movie is rather fun, but it starts to drag after Rita Hayworth appears. It’s hard to believe, but Rita Hayworth is possibly the weakest aspect of this film. I don’t know if she is to blame or the director, but her attempt at portraying a jaded socialite merely comes across as leaden. She should have taken some lessons from Rosalind Russell.
Kim Novack does a good job as Linda English.
I found some of the movies little details interesting. For example:
- This is the earliest use I’ve seen of a flash-zoom. The movie, in fact, has two of them.
- This movie also has the earliest product placements I’m aware of: All the cars are Ford products, and Sinatra is clearly seen smoking Chesterfields, which was his sponsor at the time.
- Sinatra pronounces “mishmash” correctly.
- When Sinatra first gets on stage he’s actually being recorded by the microphone he’s holding. This adds a certain rough verité that Hollywood usually avoids.
- Furthermore, you can see by the way Sinatra holds that microphone and its cord that he knows what he’s doing.
Please note, the music for this show was written by Rogers and Hart, not Rogers and Hammerstein. You probably know of grand musicals such as the King and I, the Sound of Music, and Oklahoma. These huge, glossy creations were the products of Rogers and Hammerstein. Before this partnership Richard Rogers worked for 20 years exclusively with a tragic little fellow named Lorenz Hart. Their output together was markedly different.
Along with their contemporaries George and Ira Gershwin, Rogers and Hart wrote music that strove to be new, intelligent and popular. Music with those three qualities doesn’t come around very often.
What makes Lorenz Hart’s lyrics so distinct is that he writes with direct language and simple words, but there always seems to be some other meaning behind them that you can’t quite describe.