“Only on Tuesdays,”
as a wise man said.
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Hey! HEY! Down here! Yeah, it’s me again!
“‘Normal’, Louie? Ya think this looks normal?! I’m already in dutch with the boss over that botched job in Biloxi, now I gotta deal with whatever this is?! I’m tellin’ ya, that Russian dancer slipped something inta my Arnold Palmer!”
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The Center for Iberian Studies - Centro de Estudos Ibéricos (CEI)- remains committed to strengthening the cultural and scientific axis organized by Coimbra, Guarda and Salamanca and, through an active involvement in territorial cooperation, committed to low density territories, particularly the most peripheral and border ones. Based on these references and on the importance of image in contemporary societies, the project Transversalities: Photography without Borders uses photography as a means of promoting the inclusion of territories and breaking with processes of exclusion to which vast areas of the planet are subjected by the media. Pursuing objectives that coincide with those that guide CEI’s work, this Photography without Borders contest contributes to overcoming the artificial borders that are imposed between communities, peoples and cultures. The call for submissions that portray spaces beyond and beyond borders, scattered across the various continents, aims, by documenting the diversity of Territories, Societies and Cultures, to read and interpret the multiplicity of natural, economic, social and cultural landscapes that are scattered across the vast geographies of the planet. In a project that uses image as a means to promote territorial cooperation, the following issues are privileged:
- taking advantage of the aesthetic, documentary and pedagogical value of the image to promote the inclusion of less visible territories, inventory resources, enhance local landscapes, cultures and heritage;
- to promote cooperation between people, institutions and territories, from here and from abroad, to encourage the exchange of experiences and knowledge between spaces united by the common Iberian matrix, spread across different countries and several continents;
- to form new audiences and use new communication technologies as a privileged means of communication, appealing to the participation of young university students and, in this way, to widen the international network of researchers that is being organized from the CEI.
2. Themes
The pictures collected under this contest should portray the diversity of territories, societies and cultures of different continents in order to allow crossed looks on the changes which are taking place in different parts of the world, show different styles of social organization and space, capture signs of continuity and change, archaisms and innovations that manifest themselves in the most populous cities or rural areas, located in the most remote and distant and areas, which are facing depopulation. The interpretation of the natural, economic, social and cultural landscapes validated in photos will make them an important component of territorial cooperation, as they are valuable resources of promoting the inclusion of remote and less visible regions.
Photos must allude to one of the following subjects:
- Landscapes, biodiversity and natural heritage (Natural resources and risks; use, management and planning of natural areas; diversity of contexts and intercourse between man and the environment, etc.).
- Rural areas, agriculture and settlement (Goods and agricultural products, organization of rural areas; places and rural architecture, mobility, etc.).
- The city and the urbanization process (City, architecture, regeneration and urbanization processes; landscapes, urban environments and experiences, etc.).
- Culture and society: cultural diversity and social inclusion (Constructed legacy and cultural heritage, ways of life and social conditions; fight against poverty and social exclusion, etc.)
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So…you don’t fry mosquitos before eating them? 
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Two of these things are not like the others…
Meijer’s Shifty Takers musta brought in an ai shop search assistant, whether U want it or not 
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I thought this was starting out as a different story. 
Wonder if some influencer is promoting Deep Woods Off for keeping skillets greased?
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Mississippi River. What’s that on the other bank?
It’s an outlet for controlled runoff of rainwater. IIRC the two circles were there as part of the construction. Someone has added “teeth” to the gaping maw, in the form of pennants suspended from a rope.
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I like to think of this as Nina Simone’s “Mississippi Goddamn” from an alternate universe.
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Little Otik
Released Dec 21, 2001, 2h 5m, Comedy/Drama/Fantasy
Directed by Jan Svankmajer
…the brilliant Czech surrealist’s newest film, “Little Otik,” based upon a classic fairy tale of an infertile couple who adopt a tree stump as their baby. It quickly grows into an all-devouring monster that eats the cat and then the postman.
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The caption made me see what I now assume is lights as a ridiculously high set of bike handle bars.
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They have to be that high to reach the wheel
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