4 Likes
5 Likes
It’s a very complete item. I admit I have never heard of UDO before this.
4 Likes
4 Likes
Another puzzler
10 Likes
7 Likes
8 Likes
8 Likes
4 Likes
2 Likes
TBH, they can say whatever they want but the answer is always: money. This year’s show was a disgrace, and the blatant public vote manipulation even more so.
8 Likes
This should be interesting…
5 Likes
13 Likes
7 Likes
Two notes:
1 - I never thought of David Byrne as funky.
2 - They don’t explain the meaning of “funk,” and why it was applied to this type of music.
3 Likes
The Heads were definitely funky, for white art-school grads. And check out Tom Tom Club - serious funk.
6 Likes
And they surrounded themselves with musicians with serious funk cred, like Lynn Mabry, Alex Weir, and Bernie Worrell.
5 Likes
Not that I don’t like it, but I can’t imagine a whitest sound than Byrne, TBH. Even Rei Momo (which I love) is clearly a white man’s idea of afro-cuban sounds 
Having said that, clearly he is inspired by african-american rythms, so I can see him taking a page from funk and applying to his songs.
Will watch the video once I get out of work 
ETA:
6 Likes
You had your chance 40 years ago
8 Likes
I think about this video every so often. No, not the “long version” that was posted, but the extended 10 minute “long long version” version:
I remember the week this debuted on MTV. I was 14, I think. It was a several days’ long marathon of all Michael Jackson, all the time. Every single video was played including the long versions of Bad and Thriller. They even broadcast Moonwalker. This was all to culminate in the world debut of the Black or White video (which was played twice in a row for some reason). I was a huge MJ fan back then and watched it all – I still have hours of it on VHS tapes somewhere.
Even at 14, I found the latter half of the video to be deeply disturbing even though I couldn’t really tell you why at the time. Looking back, I’m guessing it’s some combination of these things: the sudden 180 degree turn from the poppy positivity and light comedy of the first 6 minutes into the bleakness of the following 4 minutes, the random destruction and violence, the many many scenes of lingering crotch grabbing, and then a just as sudden 180 degree turn back into an animated Simpsons cameo. It was very disturbing and I really didn’t understand it at all.
I guess I wasn’t the only one who felt confused by all of this. After the initial airings, I never saw the full version on MTV again. I recently discovered that this video was later given the George Lucas treatment where the car and buildings were digitally altered to add racist grafitti. See, MJ wasn’t randomly wrecking shit, he was making an anti-racist statement! (Crotch grabbing still left unexplained.)
Anyway, thanks for reminding me of all of this.
6 Likes