I thought it was a great example of Stockholm Syndrome – one of the best I’ve ever seen in a film. Also what happens to her firmly established that Redford’s character is not a hero, even if he is the protagonist.
It’s one of the best depictions of so-called non-violent rape too, something rarely seen in films this unambiguously.
Almost every criticism I’ve read brings that up. I agree that it might go over better if Netflix picked it up*, so that people could binge. It’s amazing that it was only nine years ago, and viewing habits have changed so much.
Saw Hereditary last night… And THAT scene… WITAF!?! We had to stop watching for a few after that. if you’ve seen it, you KNOW the one I mean. Right up there with the curbing scene in American history X only about a billion times worse. But for all that, the very ending was… kind of meh conventional, with the followers sort of worshiping Peter/Paimo or whatever… the mom sawing off her own head was pretty nutso, though. I kind of feel like they blew their horrific load in the first half hour of the movie… though it’s one of those scenes I will likely never forget.
At this point Archer is more like an anthology show with the same cast every year. I don’t think they’re going back to Espionage World. This season is supposed to be a parody of Alien.
Kidnapping victim has Hollywood amnesia. Plenty of red herrings and unreliable narrators. Probably somebody in the main cast is secretly a villain. Whatever
yeah, i have to agree. i’m very weary of re-litigating every moment of the past. i don’t mind them updating the characters for current values, but it’s also true that we know what we’re getting with him – he’s an international spy and playboy.
Seems ok so far. Not all of the currently in print Criterion films are currently available, I couldn’t find Do the Right Thing or Brakhage. Plays fairly well, but you’ve got to be able to be in or fake being in the US or Canada.