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Bad news, though

There is a twist here and the twist is that they see the show as ideal family-friendly programming for Disney+. My source tells me they’re planning to target it more at a PG-adventure, family audience and less at the sort of PG-13 dynamic the original Joss Whedon show went for.

This shift in tone suggests the new version of Firefly might drop characters like Inara, who is basically a prostitute. Instead it’ll probably lean more into the fun and adventure aspect of the universe’s stories. Fans may initially be unhappy, but it’s easy to see a way it could work.

initially? Try constantly.

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Rightfully so!

The ‘verse ain’t a happy-go-lucky place. It’s dangerous. Life is harsh, and often short, ‘specially on the Rim, where humans toil and scrape to carve out homes and lives on rough-and-tumble planets. Now, you might be thinkin’ them on the Core worlds got it easy, being they’re richer and more pretty-fied… but I reckon there’s just as much fightin’ in their fancy parlors or goverment offices as you’d see in any bar-room brawl. They just hide it under genteel manners and frilly clothes, but those that don’t get their own way can turn vicious as a Reaver in a heartbeat.

It ain’t easy, living on Serenity. Takes a lot of work to keep her flyin’, from scroungin’ parts in junkyards to takin’ any job that comes along, even if it ain’t exactly on the right side of the law. But there’s freedom in the Black, so we keep working, we keep fightin, we keep flyin’, no matter what. And that’s what makes us mighty."*

There might be a way to sand off the rough edges and make the show “family friendly,” but I’d argue that would take something away from the story as we’ve known it. The Firefly crew is struggling in a harsh environment, often doing illegal things to survive, trying not to lose their morals along the way. I’m not sure how much you can bowlderize that without diluting its impact… and at that point, it’s just not the same story, which makes a reboot kind of pointless. At that point, you might as well just make a different show.

Firefly-in-name-only?
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* That isn’t an actual quote, except for the last sentence. When I tried to describe what the 'verse was like, it started to come out in Mal’s voice, so I ran with it. :stuck_out_tongue_winking_eye:

Edited to add, because I missed a point: The harshness of the 'verse around our characters makes the brighter parts stand out in sharper contrast. Kaylee’s cheerfulness, the quiet devotion between Zoe and Wash, every time Mal chooses to do the right thing even when he knows it will cost them-- all these things have a stronger impact when the world around them is harsh and bleak.

It’s not completely impossible to reboot the show successfully, I suppose. (It might even be interesting to see some of the more problematic areas of the original addressed, like the conflicting attitudes on sex work.) But the odds of pulling this off well feel as likely as lightning striking twice in the same spot… especially when Disney’s already considering such big changes in the show’s formula.

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yuck.
to quote Star Wars: I have a bad feeling about this.

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Netflix. I know what you’re thinking. The title is the whole premise, isn’t it?

But hear me out.

  • I started watching because I had read several positive reviews.

  • Willa Paskin, One of Slate’s reviewers, put it on her 10-best list for 2020.

  • 93/96% score on Rotten Tomatoes.

  • Produced by Jenji Kohan

Turns out it’s good, with great fast-paced dialogue. Like Veronica Mars with more laughs. It doesn’t really hit its stride until Episode 3, when it gets into the issues of racism, politics, and religion in more depth.

And it’s set in Atlanta, so I now feel I understand @mindysan33 much better. :stuck_out_tongue:

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Okay, I just watched Episode 8, and it’s a mess, so you’ve been warned.There’s a different writer and director for almost every episode, and I don’t think the ones for this episode saw the previous seven. I’ll still watch the rest.

I also found out that the show has been cancelled, so ten episodes is all we get. Netflix giveth and Netflix taketh away. (Say that three times fast.)

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We watched the 1993 version of Much Ado About Nothing. It’s just a lovely movie. I know a lot of people think Sir Kenneth Branagh is the reincarnation of Olivier, but I just don’t like him much-- I feel like he overacts everything. In my opinion, he’s a better director than actor, and yes, I realize that many people will disagree with me, and that’s fine.

That said, it’s still a lovely movie. The casting is odd, but it mostly works. Keanu Reeves makes a wonderful Don John. Strange choice, but I think he does that brooding malevolence so well. And Emma Thompson is brilliant in everything. Denzel Washington as Don Pedro is a stretch, but he makes it work. Michael Keaton as Dogberry is rough, but it’s a difficult character and he has far too much screen time.

The movie is mostly faithful to the play. I shouldn’t have to say that, but it seems like the recent remakes and films seem to want to modernize or alter it. I’m not a big fan of that. The Tuscan set is just perfect, and the film is full of eye candy of all kinds.

All in all, a little uneven but a fun family movie.

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I liked him in “Dead Again”, one of the few modern films that captured the noir feeling of the middle of the 20th century.

And didn’t he sort-of mock himself in his appearance in one of the Harry Potter films? I seem to remember him wearing a canary-yellow waistcoat.

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Ethan Hawke trying really hard to be Nick Nolte or Ron Perlman or somebody like that

As usual when a producer casts himself in a lead role, it’s not entirely convincing

but the story keeps us coming back to see what happens next

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She’s in the same boat as Rob Thomas after what she did to Weeds and OITNB.

I liked that one quite a bit, as far as Shakespearean adaptations go.

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Listed as executive producer, so I don’t know how much of the blame is hers. It’s Kathleen Jordan’s creation, and she wrote the first and last episodes. In between, some of the other writers drove it into the ditch. Episodes 9 and 10 dragged the show up a bit from the pit of mediocrity that was Episode 8.

It has its moments if you don’t expect too much.

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Well done, but heavy going and hard to watch in some scenes, especially since we know the ending.

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Going to watch the last season of House of Cards… they completely wrote out Francis by hinting that Claire killed him… I found the first episode of a bit rocky and confusing. But of course, Robin Wright is still magnificent.

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Decent entry in the “evil computer takes over the world” genre, like Colossus or Person of Interest

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A friend of mine who was in Al-Anon once told me that Groucho was the quintessential Al-Anon member.

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Starship Troopers. The 4K Ultra HD transfer really brings out Colonel Doogie Howser’s peach fuzz.

It’s a real emotional rollercoaster. No one is safe from the bugs.

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Season five of the Expanse has started off with a bang.

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i’ll say. looking forward to the rest of this season.

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Rewatching Netflix’s The Haunting of Hill House ad I have to say, the scariest fucking bit for me is

the interrogation scene. The solicitude of the officer about how “we just want to clear this up”, the thing with the cream and sugar (dear g, especially that)… it’s scary in that it’s so real. And it’s done well… if you take it at surface value, he’s just being nice and friendly and solicitous, but if you know anything about cop tactics, it’s utterly menacing. All calm and deference, while demonstrating exactly who is in charge, super sympathetic and friendly yet precisely not someone who is a friend or to be trusted.

Ghosts… ghosts aren’t real. Cops… cops playing mind games and driving someone to a breaking point for a result, regardless of the truth are something that could happen to any of us (some more than others, but I doubt anyone on this board could safely call themselves immune. It just takes the right circumstances.) and have more power to do damage in reality. The understanding that people go through this every day, that copaganda has trained us to buy the line that only guilty people get lawyers and don’t cooperate, means that good people get trapped (no, bad people don’t deserve to be trapped/punished for something they didn’t do, either, but they’re less likely to buy that line in the first place). You don’t need to suspend the slightest bit of disbelief for this one. And that is why it chills.

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